VOL. 5: MAŁGORZATA GERON, JERZY MALINOWSKI, JAN WIKTOR SIENKIEWICZ (eds.), Art of the United Kingdom of Great Britain and Northern Ireland & Republic of Ireland in 20th–21st centuries and Polish–British & Irish Art Relations
Spis treści / Contents: INTRODUCTIONS: JERZY MALINOWSKI, On the Book; PAUL COLLINSON, England’s Favourite Landscape: Paintings in Search of The Picturesque and Cautionary Tales of Landscape; KRZYSZTOF CIESZKOWSKI, Documentation of Modern British Art: Archives, Libraries and Bibliographies; POLISH –BRITISH ART REL ATIONS BEFORE 1945: DAVID BINGHAM, Albert Lipczinski (1876–1974); PIOTR KOPSZAK, Henri Gaudier-Brzeska’s “Polish” Identity and Contacts with Polish Artists; IZABELA CURYŁŁO-KLAG, Poles in Wyndham Lewis’s Accounts of Early 20th-century Bohemia; DOMINIKA BUCHOWSKA, Whitechapel Boys and the British Avant-Garde: In Search of the Polish Connection; MAGDALENA ZDRENKA-CIAŁKOWSKA, The Art of Advertising in Poland and Great Britain. “Levitt–Him” as a Design Partnership; WALDEMAR DELUGA, Polish Graphics from the British Collections (19th–20th Century); IRENA KOSSOWSKA, The Insular Taste: The Art of England, Wales, Scotland and Ireland in the 1939 Warsaw; MACIEJ TYBUS, The Art and Cultural Activities of the British POWs in Stalag XXA in Toruń; CONTEMPORARY BRITISH ART: MATEUSZ SOLIŃSKI, Lucian Freud – The Body Painter; MAŁGORZATA STĘPNIK, The Aesthetics of the T he School of London “Diasporic” Painting – On the Basis of Ronald B. Kitaj’s Literary Manifestos; MACIEJ GUGAŁA, “You Have to Be a Practitioner to Know This.” David Hockney’s Criticism of Art History; KAROLINA KOLENDA, The Englishness of English Land Art – Richard Long and the Picturesque; ANNA MARKOWSKA, Gilbert and George – A Double Author and the Space Between; MONIKA SZCZYGIEŁ-GAJEWSKA, Vision of Destruction by Cornelia Parker; FILIP PRĘGOWSKI, The Recurrence of Modernism. On The Stuckists, the British Art Movement; LIDIA GERC, Future Systems – New Directions in British Architecture; EWELINA KWIATKOWSKA, Object, Sculpture, Installation – Contemporary Glass Art in Great Britain; POLISH ÉMIGRÉ ART IN GREAT BRITAIN AFTER 1945: JAN WIKTOR SIENKIEWICZ, Polish Presence at Artistic Academies and in the Art of Great Britain after the Second World War. Introduction to Research; MAŁGORZATA GERON, Henryk Gotlib. The Work in Poland and England; MALINA BARCIKOWSKA Against the Grain. On the Relations of Franciszka and Stefan Themersons with the Circle of British Logicians and Mathematicians; MAŁGORZATA BIERNACKA, The Continental British School of Painting – The Association of Polish Artists in Great Britain; MAGDALENA HOWORUS-CZAJKA, Tadeusz Piotr (Peter) Potworowski: An Analysis of Changes in His Art of the English Period in the Light of Art Criticism in Polish Émigré Periodicals; AGATA SOCZYŃSKA, Marek Żuławski and Stanisław Frenkiel about Modern British Art; CONTEMPORARY POLISH–BRITISH ART RELATIONS: PIOTR MARCINIAK, New Concepts of the City and Space. The Reception of British Architecture and Urban Planning in Poland in the 20th Century; EWA TONIAK, Moore in Auschwitz. Some Remarks Inspired by an Exhibition; ANDRZEJ JAROSZ, British Inspirations behind Wrocław Sculpture; DOROTA GRUBBA-THIEDE, “Mystery / Score-Poem” – Jerzy Bereś and Zbigniew Warpechowski in Great Britain in 1979 – The “Pilgrimage” around 11 Centers (Including Academic Ones) and a Question Regarding the Possible Impact of Jerzy Bereś on New British Sculpture Artists; MARIA HUSSAKOWSKA, Stranger in the City or Negotiator. Craigie Horsefield in Krakow; ANNA M. LEŚNIEWSKA, Colour and Light in the Art of Antoni Malinowski; MAGDALENA ZIĘBA Reception of Polish Art in Great Britain in the 21st Century. Exhibitions, Collections, Art Criticism IRISH ART: KATARZYNA KOCIOŁEK, Visualising Irishness in Contemporary Irish Art; ŁUKASZ GUZEK, How Connections with Ireland Inspired Polish Performance Art; ARTUR TAJBER, Available Resources – Orient-Action / Dostępne zasoby – Orient-Akcja; GAIL PRENTICE Flax Art Studios, Belfast and Its Impact on Contemporary Northern Irish Art.
Polish Institute of World Art Studies & Nicolaus Copernicus University Press, Warsaw-Toruń 2015
ISBN 978-83-231-3438-1 (496 pp.)
