Vol. VI – THE FIRST CONFERENCE OF POLISH AND CHINESE HISTORIANS OF ART – Poland-China. Art and Cultural Heritage, JOANNA WASILEWSKA (ed.)
Contents: JERZY MALINOWSKI, BOGDAN ZEMANEK, Foreword; I. POLISH ART IN THE EUROPEAN CONTEXt: ROBERT KUNKEL, An Outline of the Medieval Architecture in Poland; MAREK WALCZAK, Art in Krakow during the Reign of the Last Two Piast Kings (c. 1320–1370);JÓZEF GRABSKI, Polish Renaissance Art and the Art of the Renaissance in Poland; JACEK TYLICKI, European Context of Architecture, Sculpture and Painting in Gdańsk and Royal Prussia in the Early Modern Period (Sixteenth–Seventeenth Centuries); JAN OSTROWSKI, Forgotten Baroque Borderland; MARIA POPRZECKA, Polish Painting between Historicism and Modernism; ANDRZEJ SZCZERSKI, Stanisław Witkiewicz and the Zakopane Style; MAŁGORZATA GERON, Krakow Formist Group (1917–1923). Genesis of Polish Avant-Garde Art; IWONA LUBA, Propaganda of Polish Art Abroad in 1918–1939; WERONIKA LISZEWSKA, Safeguarding of Asian and European Heritage in Regard to the Conservation Standards; II. CHINESE ART AND ART RELATIONS BETWEEN POLAND / EUROPE AND CHINA: DOBROMIŁA UHMA-MIECHOWICZ, What Did It Mean To Be a Foreigner in Ancient China?; EDWARD KAJDANSKI, Between Science and Art: Drawings of Michael Boym to His Works on China; DANUTA ZASŁAWSKA, “Chinoiserie” in Poland; IZABELA KOPANIA, Far from Canton: the Chinese Vogue in Eighteenth-Century Poland and its Long Journey There; KATARZYNA ZAPOLSKA, Collection of the Chinese Textiles in the National Museum in Warsaw; CHEN ANYING, The End of Literati Painting? An Unfinished Controversy in Retrospect; FANG XIAOFENG, Aesthetic Attitude of Chinese Classical Gardens; ŁUKASZ M. SADOWSKI, Harbin. The Center of Civilization in the Northern Part of Manchukuo; SU-HSING LIN, Archaeology, National Identity and Book Design in Republican China; KATARZYNA KULPINSKA, International Language of Woodcut Art – Chinese and Polish Avant-Garde in the 1920s and 1930s; KAROLINA PAWLIK, Shanghai Poinsettia and Nostalgia Counterfeits; HU GUANG HUA, Investigation of Art Exchanges between China and Poland in the 1950s; LI CHAO, Dissemination of Polish Fine Arts in China in the 1950s; ADINA ZEMANEK, Chinese Aesthetics – An Anthology. A Book Presentation; III. MODERN AND CONTEMPORARY ART IN POLAND AND CHINA: ZHANG FUYE, The Elements of Traditional Culture in Modern Chinese Art; CHEN CHIYU, Construction and Painting in New China; PAN YAOCHANG, The Posters of Mao Era: A Perspective of Art and Society; ZBIGNIEW OSINSKI, Jerzy Grotowski in China; TOMASZ GRYGLEWICZ, Chinese Inspiration in Jerzy Panek’s Prints; PIOTR JUSZKIEWICZ, Utopias and Expressions. Polish Art Criticism of the 1950s and 1960s; ANNA MARKOWSKA, Modernism in Krakow after the Post-Stalin Thaw. The KrakowGroup; MARIA HUSSAKOWSKA, Nicely Painted, Perfectly Done, Well Sold; ZHANG GAN, Beyond Western Criteria: The Establishment of Criteria of Contemporary Chinese Art; MAŁGORZATA JANKOWSKA, Alike but Different: Common Themes in Chinese and Polish Art in the New Millennium; JOANNA KUCHARZEWSKA, Capsule or Apartment? Remarks on Housing Architecture of the Twenty-First Century; MAGDALENA CZECHOŃSKA, Chinese Art Scene in 1979–2000 from the Perspective of Performance Art; MAGDALENA FURMANIK-KOWALSKA, Threads between Past and Future: Lin Tianmiao’s Installations.
Jagiellionian University Press, Kraków 2011; 978-83-233-3235-0 (349 pp.)
