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series byzantina vol. IX

Vol. IX – WALDEMAR DELUGA (ed.)


Contents: WALDEMAR DELUGA, Introduction; HALINA WAŁATEK MCKENNEY, Examples of Armenian Precense and Contacts in Egypt, Nubia and Etiopia from 5th to 16th Century; AGNIESZKA KOZANIECKA-KOZAKIEWICZ, Little Armenia and the Byzantine Wold at the End of the Thirteenth Century. The Case of Maria-Rita-Xene?; BEATRICE TOLIDJIAN, The Round Church at Preslav: an Armenian Transplant?; PATRICK DONABÉDIAN, Un des premiers exemples d’hybridation : l’architecture armènienne de Crimée (Xie – Xve siècle); VIKTORIA BULGAKOVA, Ein Löwenrelief aus Sougdaia: zur Definitions problematik des Kunststils der spätmittelalterlichen Krim; MURAT HASRATIAN, Les églises d’Ispahan et affinités architecturales arméno-iraniennes aux XVIIe et XVIIIe siècle; SARAH LAPORTE-EFTEKHARIAN, Art de la diaspora armènienne. L’évolution des arts visuels au XVIIe siècle à la Nouvelle-Djoulfa ; DIKRAN KOUYMJIAN, Reflections on Objects with Armenian Inscriptions from the Pre-Twentieth Century Diaspora; SERAFIM SEPPÄLA, Interpretation of Mountains in Armenian Miniatures; ELENA ENE D-VASILESCU, The Art of the Armenian Romania : Its Reality and Its Perception in Time ; IOAN CHINDRIS, ANCA ELISABETA TATAY, An Armenian Man of Culture and Artist from Transylvania. Zacharias Gábrus (Zacharija Gabrušjan) and His Heraldic Manuscript; GEORGE BOURNOUTIAN, The Conversion of the Armenian Community of Lvov to Catholicism: Who was Responsible?; ANGÈLE KAPOÏIAN, Siméon de Pologne : le diacre de Zamość (1584/5 – après 1639); PIOTR KONDRACIUK, Armenian Art in Zamość; AGNIESZKA SZYKUŁA-ŻYGAWSKA, New information on the life and activities of Fr Kajetan Deberdasiewicz; JOANNA RYDZKOWSKA, The Art of Armenian Miniaturists from Tokat Functioning in the Republic of Poland in 16th and 17th Century; KAROLINA WIŚNIEWSKA, Armenian Illuminated Codices in the Collection of the National Library in Warsaw; RUBEN ATOYAN, Map of Kamenets Podilskyj from various Epochs and the Armenian Herritage; AGNIESZKA BENDER, Armenian Artisans and Traders of Decorative Arts in the First Polish Republic. Status of Research and Proposed Directions for Further Study; MARIA CYBULSKA, EWA ORLIŃSKA-MIANOWSKA, Armenian Fabric from the Collection of National Museum in Warsaw – Analysis, Reconstruction and Identification; MAGDALENA STOYANOVA, Armenian Gilt Leather and Silk in Europe 15th – 17th Centuries. Problems of Attribution and Conservation; BEATA BIEDROŃSKA-SŁOTA, Armenian Silk Sashes; VARVARA BASMADJAN, Fascinante Constantinople. Les regard des artistes arméniens de Bolis au XIXème siècle; ALYSON WHARTON, The Balyan Family and Paris; STEFANIA KRZYSZTOFOWICZ-KOZAKOWSKA, Teodor Axentowicz un Arménien polonaise et européen; IRYNA HORBAN, Musée arménienen de Lviv; IRINA HAYUK, Some Features of Armenian Culture and the Diaspora (on the Basis on the Analysis of the Ukrainian Museum Collections). Poblems of Stuidying their Development; SAMWEL AZIZYAN, Sacred and Civil Architectural Monuments of Armenians in Ukraine. Legal Aspects; ZOFIA DUKIELSKA, Who do Polish Armenians Feel Today? Selected Aspects of the Polish-Armenian Self Identity.

 

„Art of the Armenian diaspora´ Proceedings of the Conference, Zamość, April 28th–30th, 2010

 

Polish Society of Oriental Art, Cardinal Stefan Wyszyński University, Warsaw 2011

ISSN 1733-5787 (299 pp.)