Vol. 4. The inspiration from the past in the art of the 20th and 21st centuries, MAŁGORZATA GERON & JERZY MALINOWSKI (eds.)
Spis treści: JERZY MALINOWSKI, Introduction; – ARCHITECTURE: JERZY UŚCINOWICZ, Second lights of icons –exchange of values in a sacred art of the borderlands; CEZARY WĄS, Inspiration by old art in Le Corbusier’s Ronchamp chapel; JOANNA KUCHARZEWSKA, Old architecture in the mirror of postmodernism; ALEKSANDRA SUMOROK, Socialist realist games with the past. Architecture and interior in relation to historical stylization; ANNA MARIA RYNKOWSKA-SACHSE: Contemporary world architecture of the 21st century inspired by old folk traditional art; – PAINTING, SCULPTURE AND GRAPHIC OF EUROPE AND NORTH AMERICA: ŁUKASZ KIEPUSZEWSKI, Composite heads. Artur Nacht-Samborski and Arcimboldo; KAMILA KŁUDKIEWICZ, The turn to the tradition in the beginning of the 20th century – the case of bas-reliefs of Emile-Antoine Bourdelle; AGNIESZKA KLUCZEWSKA-WÓJCIK, Giorgio De Chirico (1888–1978) – Pictor classicus; MACIEJ GUGAŁA, Remembering Arezzo. „Early Renaissance” frescoes by Balthus in the Villa Medici in Rome; ZOFIA KRASNOPOLSKA-WESNER, Antiquity in the works of Leon Bakst; MAŁGORZATA GERON, Formists. Between tradition and avant-garde; MAŁGORZATA KSENIA KRZYŻANOWSKA, The classicizing tendencies in the creativity of selected students of Vilna (Vilnius) School and Warsaw School; KATARZYNA KULPIŃSKA, Inspiration from old art in the lithographs of Konrad Srzednicki from the 1920s and 1930s; DOROTA KUDELSKA, The Blessed Virgin Chastises the Infant Jesus Before Three Witnesses: Andre Breton, Paul Éluard and the Artist by Max Ernst. Comments and additions to interpretation; AGATA ROME-DZIDA, Otto Dix between old masters and popular art. The Karkonosze episode during the artist’s „inner emigration”; JOLANTA DĄBKOWSKA-ZYDROŃ, Surrealist fascination with primitive art; ANNA MANICKA, Les Caprices Goya & Dali. A parody or a dialogue?; ANNA KRIEGSEISEN, Interior decoration of rail station in Gdynia – Gdynia Główna Osobowa; ŁUKASZ MIKOŁAJ SADOWSKI, Werner Tübke (1929–2004), The modern fascinations on German Renaissance; MARTA IPCZYŃSKA-BUDZIAK, Dialogues of the Slovak school of graphics with old masters’ paintings and graphics; MALINA BARCIKowska, On Polish painting images of Infanta Margaret; FILIP PRĘGOWSKI, David Hockney. Tracing the old masters; TOMASZ GRYGLEWICZ, Tradition in video art on example of Bill Viola’s works; ANNA ŻAKIEWICZ, Old masters in new media art: Still life with banquet by Grahame Weibren and some other of his works; JACEK ZWIERZYŃSKI, Cutout from history: silhouette technique and Kara Walker’s art; ODETA ŽUKAUSKIENĖ, Dialogues with art of the past in the imaginary museum of modernity and postmodernity; – ART OF ASIA, AFRICA AND SOUTH AMERICA: KATARZYNA KLEIBER, References to Persian antiquity in the official architecture of Pahlavi state; MARIANNA LIS, Wayang Beber Kota – new nature of forgotten form of Indonesian theatre; KAROLINA PAWLIK: Ancient empires, contributions and Shanghai modern designs; SU-HSING LIN, Zhang Guangyu and Cartoon Journey to the West; MARTA SKWIROWSKA, The ancient Maya worldview in the contemporary textiles of Guatemala; ANETA PAWŁOWSKA, The European masterpieces as inspiration of the modern South African Art; – NATIONAL IDENTITY IN ART: RENATA PIĄTKOWSKA, A Jewish renaissance? The Warsaw circle of Yitskhok Leybush Peretz and their attempts at developing a Jewish national style; IZABELLA POWALSKA, Arthur Szyk’s illuminations and caricatures – tradition and topicality; GEORGI GRUEW, References to the medieval art and history in the propaganda posters of World War I; ELEONORA JEDLIŃSKA, Transformation and transfiguration: the role of the chandelier in the work of art of Jan van Eyck’s The Arnolfini Portrait (1434), and in the installations of Joshua Neustein’s Ash Cities (1990–1999); SWIETŁANA CZERWONNAJA: Inspiration from the folk art in Lithuanian art in exile after the World War II; MAREK MAKSYMCZAK, In front of the painting and inside the painting. Coffin portraits of Leszek Sobocki; JOANNA BIELSKA-KRAWCZYK, Image from the past in the present-day paintings against the background of the contemporary culture. (Anthropological and cultural aspects of the inspirations with old art in the Polish art of the second part of the 20th and the beginning of the 21st century); MAREK KREJČI, Reassessing history: The rediscovering of the Slavic myths?
Libron Publishing House, Kraków 2013
ISBN: 978-83-62196-98-2 (452 pp., 140 ills.)