Vol. IX – Art of Japan, Japanisms and Polish-Japanese art relations, AGNIESZKA KLUCZEWSKA-WÓJCIK & JERZY MALINOWSKi (eds.)
Contents: JERZY MALINOWSKI, AGNIESZKA KLUCZEWSKA-WÓJCIK, Introduction; – JAPANESE AND WESTERN APPROACH: KRYSTYNA WILKOSZEWSKA, Art and the arts; BEATA KUBIAK HO-CHI, Taste, sense of beauty, and the cognitive role of Japanese aesthetics; YUMIKO MATSUZAKI, Johakyu 序破急; HIDEMICHI TANAKA, The Classicism of the Nara art (8th century); STEPHAN VON DER SCHULENBURG, Salt dealer Bunshō’s incredible career. Introducing a rare collection of Japanese illustrated manuscripts (Nara ehon) in Frankfurt’s Museum of Applied Arts; TOMOKI OTA, The “export” of artistic crafts through foreigners visiting Kyoto in the modern period; AGNIESZKA KOZYRA, Zen influence on Japanese dry landscape gardens; MAŁGORZATA WOŁODŹKO, The Japanese Garden in Wroclaw – trends in transformations from 1913 to 2005; CHRISTINE M. E. GUTH, Yokoo Tadanori and the rediscovery of Hokusai’s Great Waves; – PAST AND PRESENT: CONTINUITY OF TRADITION: JULIA HUTT, How Japanese was the Inrō?; ESTERA ŻEROMSKA, Dashi-ningyō or the dolls on the top of floats in the Kawagoe-matsuri; MONIKA LECIŃSKA-RUCHNIEWICZ, Evolution of Takarazuka stage make-up. From reality to extremity; SVITLANA RYBALKO, Japanese traditional raiment as a modus of Japanese culture; JOHN J. TOOMEY, Searching for Shuko’s “chilled” and “withered” in a global age: the inner dynamics of a modern day tea ceremony; KLAUDIA MORAWIEC, Bizen – traditional Japanese ceramics; MAGDALENA KOŁODZIEJ, Saikokai and the paradigm shift in the appreciation of ceramics in Japan; JOANNA KORYCIARZ-KITAMIKADO, Kintsugi. The Japanese way of repairing china with lacquer and gold; KATARZYNA ZAPOLSKA, The screen with the image of a tiger and a dragon. The technique of workmanship and the conservation; WERONIKA LISZEWSKA, JACEK TOMASZEWSKI, Traditional Japanese methods and European conservation principles in the restoration of the kakemono scrolls from the collection of Asia and Pacific Museum in Warsaw; – JAPANESE ART IN THE WEST: GENEVIEVE LACAMBRE, China’s role in the diffusion of Japanese lacquerware; ANNA EKIELSKA-MARDAL, Namban table. A Japanese star of Wilanow historical collection; MONIKA BINCSIK, Japanese art as ethnographic or decorative art: the 1868–1869 Austro-Hungarian East Asia Expedition and collecting Japanese art in Vienna and Budapest; AGNIESZKA KLUCZEWSKA-WÓJCIK, Collecting and promotion of the Japanese art in Poland at the turn of the 19th and 20th century; TOMO IMAI, The collection of Charles Cartier-Bresson (1852–1921) and the Japanese curio market in Paris at the end of the 19th century and at the beginning of the 20th century; ANNA KATARZYNA MALESZKO, A Collection of Japanese cloisonne enamels in the National Museum, Warsaw; KATARZYNA PACZUSKA, Japanese collection of The District Museum in Toruń; MAŁGORZATA MARTINI, Ukiyo-e woodblock prints inspired by the Japanese adaptations of Chinese novels based on the Feliks Jasieński collection; GALINA SHISHKINA, The collection of Shudo Sadamu in the State Museum of Oriental Art in Moscow; – WESTERN VISIONS OF JAPAN: TOSHIO WATANABE, What is Japonisme? Terminology and interpretation; JOHN SZOSTAK, Unexpected reversals: Japanism, Ukiyo-e prints, and their influence on Meiji and Taishō-era Kyoto Nihonga; JERZY MALINOWSKI, Polish and Japanese painting. Relations and parallels (1853–1939); ŁUKASZ KOSSOWSKI, The unique quality of Polish Japanisme; PIOTR SPŁAWSKI, Japonisme at Krakow Academy of Fine Arts (1895–1939) in the context of other examples of Japonisme in art education; EWA MACHOTKA, Kimono and sword: performing Japanese in Galician Krakow; MARKETA HANOVA, Japonisme and Japonaiserie in the Czech Lands (1880s–1920s); JAKUB KARPOLUK, The Meiji no Nihon film collection. Visions of the 19th century Japan captured by European and Japanese early filmmakers; ŁUKASZ MIKOŁAJ SADOWSKI, The Japanese “overseas” architecture in North-East China 1905–1945; GISELA JAHN, Let’s go West: Japanese design invades occidental tableware in the 1930s; – JAPAN AND POLAND: MODERN AND CONTEMPORARY ART: TOSHINO IGUCHI,The pioneers of media art in postwar Japan: the avant-garde group Jikken Kobo (Experimental Workshop); NAGISA RZĄDEK, Visual communication in Japanese theater poster: contextual materials for a poster by Tanaka Ikkō; KATARZYNA KULPIŃSKA, Polish and Japanese masters of posters (after 1945) – schools, inspirations, influences; JAQUELINE BERNDT, Images to be “read”: Murakami Takashi’s mangaesque nihonga-like paintings; MAGDALENA FURMANIK-KOWALSKA, Cultural performance in photography of Japanese women artists; AGNIESZKA JANKOWSKA-MARZEC, Young Polish artists inspired by Japanese culture; MAŁGORZATA JANKOWSKA, Silence of the Taming. Transculture project of Andrzej Karmasz as an example of the interpretation of Japanese culture; AKIKO KASUYA, The crack between imagination and symbolism. The exhibition “HANA: the adventure of our vision in interval of reality and a fiction”; JOANNA KUCHARZEWSKA, Contemporary housing architecture in Japan and Poland. Similarities and differences.
Society of Modern Art & Tako Publishing House, Toruń 2012
ISBN 978-83-62737-16-1 (364 pp.)
