Vol. XIV – Sustainable Art. Facing the need for regeneration, responsibility and relations, ANNA MARKOWSKA (ed.)
Contents: ANNA MARKOWSKA, Introduction; I. SOCIAL PARTICIPATION: Sue Spaid,The future of environmental art or reimagining a sustainable art practice? Real-world problems; REBECCA LILIANE WICHMANN, Land art and state: surrounding ecology, policy and technology; MAGDALENA WORŁOWSKA, Ecologically oriented Land Art in Poland in the 1960s and 1970s; MAGDALENA LANGE, “It’s all in the genes!” – is it? When art and biotechnology act in concert. The One Trees project; JOANNA ZOFIA ROSE, Street art in Reykjavik as a regeneratory and rejuvenating agent; ESRA YILDIZ, Sustainability, social participation and visual culture in Turkey; ZOFIA REZNIK, Bodies, photos, paint and fire on the streets of Wrocław. Witold Liszkowski and the new public art; ELEONORA JEDLIŃSKA, Sustainability of deconstruction: the dynamics of Doris Salcedo’s art; FILIP PRĘGOWSKi, Paintings in daylight. The work of Kerry James Marshall through the identity discourse; NATALIA KRAWCZYK, Electric Rider/Electric Rise; II. RETHINKING INSTITUTIONALIZATION AND PRESERVATION OF CULTURAL VALUES: SOFIA PONTE, Musealizing “functional art”; MATEUSZ SALWA, Gardens and the aesthetics of sustainability; LISA PAUL STREITFELD, The conversion of East Berlin: can sustainable social projects celebrating unity overcome the divisiveness of success?; NATALIA SMOLYANSKAYA, Polygon; JOANNA FILIPCZYK, Searching for social equilibrium. Marian Bogusz’s activity as “prolegomena” of sustainable art in Poland; ALBERT COERS, Frequent flyers – one-way-rafts: aspects of possession, production and transportation in contemporary art; MAGDALENA ZIĘBA, Exhibition Beyond Green. Toward a Sustainable Art. Between art and art of sustainable display; PATRYCJA SIKORA, Sustainable art – facing the need for regeneration, responsibility and relations. About the BWA Studio exhibition in Wrocław; EWA WOJTOWICZ, A doppelganger figure. Sustainability of art in the process of re-practices; MAŁGORZATA MICUŁA, Escaping an object. Michael Landy’s Break Down project; III. AFFECTIVE APPROACH – EMPATHY AND LOVE: ROBERT KUSEK, WOJCIECH SZYMAŃSKI, Human, all too human, beyond human: animals and late style; ANNA MARKOWSKA, Travelling for sustainability. On some paintings from Portugal; EWELINA JANKOWIAK, Still art or already botany? Contemporary Polish artists and posthumanism; NICOLE LOESER, On the facts of life – artistic engagement by Christoph Both-Asmus; DOROTA ŁAGODZKA, Taking chickens seriously. Empathy and responsibility as sources of Mary Britton Clouse’s art; MIKOŁAJ SPODARYK, Emancipation of animals. Searching for visualization (case study); IV. SUSTAINABLE DESIGN: IRMA KOZINA, Sustainable design, a romantic utopia or a tool for eliminating negative environmental impact?; ZORYANA HNETSKO, Eco-design and sustainable development. Environmental issues at the current stage and the methods of their solution; DEAN CHATWIN, The endless river: exploring the potential for water to connect the home and the natural environment; REINER MARIA MATYSIK, River becomes cloud. Sustainability is a waste of energy; DARIA WARTALSKA, Design inspired by Victor Papanek; JEAN-FRANCOIS PAQUAY, A new direction for sustainable art: farming with Mole-Hill soil in the Portager; AGNIESZKA JANKOWSKA-MARZEC, Sustainable approach at the Faculty of Industrial Design of the Academy of Fine Arts in Cracow; Conferences and Studies of the Polish Institute of World Art Studies.
Polish Institute of World Art Studies & Tako Publishing House, Warsaw–Toruń 2015
ISBN 978–83–62737–89–5 (315 pp.)