Vol. XIX – Poland – Japan. Contemporary art and artistic relations, MAGDALENA DURDA-DMITRUK (ed.)
Contents: JERZY MALINOWSKI, The centenary of diplomatic relations between Poland and Japan; MAGDALENA DURDA-DMITRUK, Jikihitsu. The Signature of the Artist; I. STUDIES: ANNA KATARZYNA MALESZKO, What does the East mean to the West? On our inspirational get-togethers; SHIGEMI INAGA, Utsushi and Utsuroi: Imprint and Transience; YUKO NAKAMA, Nature and humans: Physical reality in Japanese aesthetics. Reconsidering the pictorial spaces of Hokusai and teamLab; MAGDALENA JANOTA-BZOWSKA,Sign of the Artist, the Artistic Sign: The Autonomy of the Artist’s Signature; ANNA DZIERŻYC-HORNIAK, What one needs is concentration, inner silence, a willingness to listen: Koji Kamoji in Artistic Dialogue with Polish Artists; JOANNA ZAKRZEWSKA, The Influence of Japanese Calligraphy and Ink Painting on Contemporary Polish Artists; MAGDALENA DURDA-DMITRUK, Fragment of the whole: Traces of Japanese aesthetics in the silk works of selected contemporary Polish artists; MAGDALENA FURMANIK-KOWALSKA, European fairy tales and kawaii aesthetics in the photography of Ewa Doroszenko; TOMASZ RUDOMINO, The Japanese Avant-garde: from Michel Tapié to GUTAI and Hori Kōsai; JERZY UŚCINOWICZ, The New Temple of Saint Nicholas of Japan at the Kamennaya Gorka in Minsk, Belarus. The Near Tradition of the Far East; II. INSTITUTIONS: RADOSŁAW PREDYGIER, The Polish Trail in Okayama: The Polish Art and Science Mission in Japan; KAZUHIRO KORENAGA, To Connect Region and People through Art; KATARZYNA NOWAK, Japan’s Living National Treasures and their exceptional presence at the Manggha Museum of Japanese Art and Technology; RINA MATSUDAIRA, Inspired by the Classics of East Asia. Searching for a meeting place of narratives and paintings; AKIKO KASUYA, Celebration: Between the Aesthetic and the Critical; Yoko Nakata, 20 years of the BIWAKO Biennale; YASUYUKI SAEGUSA, Artists in residence in Kumamoto Prefecture 2010-2018; III. ARTISTS: AGNIESZKA ROŻNOWSKA, Mono no aware: Memories of Kyushu; PAWEŁ JASIEWICZ, Every Timber Has Its Own Sound – Every House Has Its Song; MAŁGORZATA NIESPODZIEWANA-RADOS, Exercises in Mindfulness: My Japanese Experience in Creative Work; JOANNA STASIAK, Immersed in Seeing; PRZEMYSŁAW RADWAŃSKI, The Artist’s Craft as Meditation: Zen Practice and the Creative Process; ELŻBIETA BANECKA, Uncombed from Kyoto; ATSUSHI HOSOI, A report on the progress, development and background of the work of young Japanese wood sculptors today. And about my own work; GABRIELA MORAWETZ, Permeation / Image and Movement / Collaboration with the Tarinainanika Duet at the Biwako Biennale; JOANNA SITKOWSKA-BAYLE, Meetings with Japan: The works of Aliska Lahusen and Gabriela Morawetz; MAGDALENA DURDA-DMITRUK, A few words after the conference and accompanying events; Programme of the International Conference: Jikihitsu. The Signature of the Artist. The Presence of Japanese Tradition in Contemporary Polish Art; Programme of the Accompanying Events: Jikihitsu. The Signature of the Artist. The Presence of Japanese Tradition in Contemporary Polish Art.
Polish Institute of World Art Study & Tako Publishing House, Warsaw-Toruń 2019; ISSN 2543-4624
ISBN 978-956228-9-2 (248 pp.)
Pozycja dofinansowana przez MKiDN.
