Vol. VIII – The History of Art History in Central, Eastern and South-Eastern Europe, JERZY MALINOWSKI (ed.), Vol. II
Contents: – THE FORMATION OF ART HISTORY CENTERS: NIKOLAI KHRENOV, The history of art history: the realization of the Russian art history project of I. Grabar during the Silver Age and the post-war period; MICHELA PASSINI, France and the evolution of art history in Central and Eastern Europe. Three cases of cultural transfer; ODETA ŽUKAUSKIENĖ, Jurgis Baltrušaitis: cross- cultural biography and cross-cultural art history; KAZIMIERZ PIOTROWSKI, The metacritic of Mieczysław Wallis; TARAS STEFANYSHYN: Ukrainian art studies in Lwow/Lviv of the 20s – 1930s: personalities, works, tendencies; LYUDMILA SOKOLYUK, Dmytro Antonovych’s general concept of Ukrainian art history and its significance for the modern teaching system; MATTHEW RAMPLEY, Art history, racism and nationalism. Coriolan Petranu and art in Transylvania; ANCA BRATULEANU, Alexandru Tzigara- Samurcas slide archive – a way to reconstruct the beginnings of Romanian art history as a scientific discipline; KRISTA KODRES, Two art histories: the (Baltic) German and Estonian versions of the history of Estonian art; STELLA PELSE, Latvian art historians as critics and theoreticians: art’s values and developments in the inter-war period; TOMASZ GRYGLEWICZ, Studies on modern art in the Institute of the History Art, Jagiellonian University in Cracow in the 1970s – Mieczysław Porębski, Piotr Krakowski; JÓZEF GRABSKI: The 30th anniversary of the IRSA Institute of Art Historical Research; – ART HISTORY AND NATIONAL IDEOLOGIES: AGNIESZKA CHMIELEWSKA, National art and the theory of nationalism; LIA LINDNER, Art history and national art as seen in Hungary from the mid-19th century to the beginning of the 20th century: Historicism versus Modernism; REBECCA HOUZE, Ethnography, art history, and the Design Reform Movement in Habsburg Central Europe. The case of A Magyar Háziipar Díszítményei [Ornaments of the Domestic Industry of Hungary], 1878; MARTA FILIPOVÁ, The peasant in art history. Discourses on folk art in the late Habsburg Empire; ROBERT BORN, The Vienna School of Art History and Bukovina; IRINA MISHCHENKO, Art criticism in Bukovina of the late 19th – early 20th century: the European context; AGNIESZKA KLUCZEWSKA-WÓJCIK, “What art Poland needs.” In search of the Polish national style at the beginning of the 20th century; MAŁGORZATA GERON, The Formists’ Group (1917–1923). Trends in research and the assessment of Polish avant-garde art in the 20th century; MYKHAILO SELIVACHOV, Folk art and ornament as a subject of study in Ukraine (19th–20th century): Russian and Austrian Empire, Polish state, Soviet period; LARISSA SAVITSKA, Ethnic discourse in the art of Ukraine; SILVIJA GROSA, The historiography of Art Nouveau architecture in the context of art history in Latvia; VLADIMIR KUDRYAVTSEV, Art of the Finno-Ugric peoples in art history; – ART HISTORY AND CONTEMPORARY POLITICAL AND SOCIAL IDEOLOGIES: SWIETŁANA CZERWONNAJA, The art in exile: changing of interpretation paradigms in the Russian art criticism; RASA ŽUKIENĖ, The activities of the Lithuanian art critic Aleksis Rannit in the West: the significance of a 1949 report for research on Mikalojus .K. Čiurlionis’ work; TANJA ZIMMERMANN, Socialist neo-primitivism in art history in Tito’s Yugoslavia; OLGA NOVYTSKA, Ukrainian Soviet art history as part of totalitarian culture; PIOTR JUSZKIEWICZ, Socialist realism and modernity in Polish art history and criticism of the 1950’s and 1960’s; REUBEN & MAJA FOWKES, The post-national in East European art: from socialist internationalism to transnational communities; IZABEL GALLIERA, Constructing the idea of Central Europe: ruptures and continuities in post-1989 scholarship in Hungarian neo-avant-garde art; TETYANA PAVLOVA, On Ukrainian photography / past and present; KATRIN KIVIMAA, Re-thinking of art history: feminist art writing in post-Soviet Estonia; HELENA MUSILOVÁ, The role of Jiři Valoch in Central-European art during the 1970s and 1980s; VIOLA HILDEBRAND-SCHAT, The history of contemporary art as manifestation in Russian art. Ilya Kabakov – Svetlana Kopystianskaya – Vadim Zakharov; ANNA MARKOWSKA, The claustrophobic canon of national art?
Society of Modern Art & Tako Publishing House, Toruń 2012
ISBN 978-83-924110-9-3 (286 pp.)
