Medieval and early Modern Art in Central Europe, WALDEMAR J. DELUGA & DANIELA RYWIKOWA (eds.)
Contents: Waldemar Deluga, Daniela Rywikova, Introduction. Medieval Art in Central Europe in Outlines; Pavol Černý, Un manuscrit enluminé du XIIIe siècle à Olomouc; Hana Runčíková, The Passional of Abbess Cunigund: Old Theme, New Approaches; Jennifer Vlček Schurr, Contemplare in plagam … “Gaze into the wound” – New Discoveries relating to the Passional of Abbess Cunegund; Daniela Rywiková, Art and Devotion in the Female Religious Communities of Late Medieval Český Krumlov; Ema Součková, Fabián Puléř: Between the Gothic and the Renaissance; Petr Čehovský, Different Reasons for the use of Gothic and Renaissance Style in Central European Architectural Sculpture between the years 1490-1550; Jana Grollová, Czech Reformed Homiletics and its Visual Reflection in 15th and 16th Century Central European Church and Chapel Interiors; Waldemar Deluga, The Art of National Minorities in the former Polish-Lithuanian Commonwealth; Nazar Kozak, Architectural Background as a Message: A Case from the Akathistos Cycle in the Lavriv monastery; Svitlana Olianina, Family Coats of Arms on the Iconostasis: Iconic and Conventional Signs; Teresa Pac, Constructing the Catholic Middle Ages in the Process of the Production of Catholic National Identity in Contemporary Poland.
Ostrava University & Polish Institute of World Art Studies, Ostrava 2019
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