Vol. VII – The History of Art History in Central, Eastern and South-Eastern Europe, JERZY MALINOWSKI (ed.), Vol. I
Contents: – THE GENESIS OF ART HISTORY AS A SCIENCE: JERZY MALINOWSKI, The art history at the ancient Vilna / Wilno / Vilnius University and its tradition; INESSA SVIRIDA, Joseph Saunders: The making of the biography (historiography and sources); VYTAUTAS LEVANDAUSKAS, The history of architecture in academic works by professors of Vilna University in the first half of the 19th century; ANNA EKIELSKA-MARDAL, Dilettanti and the scientific workshop of the first Polish art historian. Italian art in the eyes of Stanisław Kostka Potocki during his journey between 1795 and 1797; ANNA GREGOROWICZ-METZ [RUCINSKA], Stanisław Kostka Potocki – The first Polish art historian and his ideas about art in O sztuce u dzisiejszych (On the art of the Moderns); JOLANTA CZERZNIEWSKA, Jan Feliks Piwarski’s News on the Print Room joined with the National Public Library in “Gazeta Literacka”– academic lecture or a method of studying art?; MARKO ŠPIKIĆ, Strange parents, unrecognised child. The genesis of Croatian art history in the Vormarz period; LJERKA DULIBIĆ & IVA PASINI TRŽEC, Bishop Josip Juraj Strossmayer and the founding of art history studies in Croatia; IVANA MANCE, Ivan Kukuljević Sakcinski: Art history and politics in Croatia (second half of the 19th century); RYSZARD KASPEROWICZ, Klaczko and Berenson – the politics of revivals; STEFAN MUTHESIUS, The beginnings of the “Cracow School of Art History”; MAGDALENA KUNIŃSKA, In-cluded – ex-cluded. Marian Sokołowski’s building of the Monument of Art History at the end of the 19th century; OKSANA STORCHAI, History of art study at Kiev University (the 19th century & the beginning of the 20th century); – RESEARCH ON RELIGIOUS ART: ARMEN KAZARYAN, National and political problems in the history of architectural history of medieval Armenia and Southern Caucasus; WALDEMAR DELUGA, Discovery and conservation of the Byzantine frescos in Poland and Lithuania in the 19th and 20th century; ANDRZEJ FREJLICH, The Polish-Ruthenian Archaeological Exhibition in Lwow/Lviv (1885) and beginnings of Polish researches on Byzantine art; OLEH RUDENKO,The beauty of Greek Catholic church art in the Polish researchers’ works of the second part of 19th century; JERZY UŚCINOWICZ, Theology and the history of art within the Eastern Orthodox Church – methodological aspects of studies; NATALIYA URSU, Art history investigations of sacral heritage of the Dominican order of the 13th–19th centuries on Ukrainian lands; INNA BEREZINA, Sacral architecture of Kamyanets-Podilsky/Kamieniec Podolski – the town of multicultural heritage – in the investigations of art history of the 19th–20th centuries; KRISTĪNE OGLE, Research traditions of the Jesuit artistic heritage in Latvia and their sources; SERGEY R. KRAVTSOV, Studies of Jewish architecture in Central-Eastern Europe in historical perspective; – THE HISTORIOGRAPHY OF ART: MICHAEL SAGAYDAK, Archaeology as a “cradle” of Ukrainian art studies (to the question of the origin of the Old Rus’ art); JACEK TYLICKI, The history of art studies in Gdańsk; KATJA BERNHARDT, The historiography of art history in the second row. PhD-theses at the Department of Architecture, Danzig/Gdansk University of Technology (1904–1945); BARBARA HRYSZKO, A review of Polish research into Rococo with special emphasis on architecture; NATALIA MIZERNIUK-ROTKIEWICZ, To the problem of researches of the 18th century Russian art. Baron Vrangel and his role in the process of rediscovering of art of “gallant century” in Russia; KRZYSZTOF STEFAŃSKI, National concepts in the research on history of Polish architecture in the 19th century and at the beginning of the 20th century; – ART HISTORY IN THE ISLAMIC EUROPE: V. BELGIN DEMIRSAR ARLI & HATICE ADIGUZEL, Past and present of art history education in Istanbul University; ELVAN TOPALLI, Assembling of Turkish painters by the state: creation of national art; AYSE N. EREK, Arts, architecture and the problem of nationalization in early republican Turkey; BEATA BIEDROŃSKA-SŁOTA, The history of Polish studies on Islamic art and the history of the artistic relations between Poland and the Islamic countries; NURIYA AKCHURINA-MUFTIEVA, Historiography of architecture and decorative arts of Crimean Tatars; OLGA ULEMNOVA, The role of the Kazan fine art experts P..M. Dulsky and P. E. Kornilov in the establishment development of the Art, Art history and the Museum Affairs of the Soviet Tataria of the 1920–30s; RAUZA SULTANOVA, Researches of art history of Tatarstan at the present stage.
Society of Modern Art & Tako Publishing House, Toruń 2012
ISBN 978-83-924110-8-6 (300 pp.)
